Illustrations
Left: E-book cover Right: 1989 novel cover by Debbie Connors
This fantasy adventure novel was first printed in 1989 as “The Fortress of Migdol”. The author (my Dad) later wrote an improved and expanded version and decided to make it available as an e-book for the Kindle. I went through various ideas, trying to play to my strengths with character-based ideas, but I ended up coming back to the same theme that Debbie Connors had used with the cover art of the original book.
Being an e-book, the new title art had to be legible in a thumbnail view, which influenced the thick lettering (done in Adobe Illustrator) as well as the strong contrast with the background.
I haven’t had much experience with drawing or painting environments and I couldn’t find good reference for the lighting conditions I was after, so I pretty much faked it! I needed the low lighting angle so the sword could cast a shadow over the landscape. The reason for the cross-shaped shadow being there (and being unrealistically large) is that there’s an allegorical side to the book, with Christian themes for those who want to read the novel that way.
Other parts of the cover are pretty accurate to their descriptions in the story, including the dam-like fortress wall and the plain sword with engraving on the blade. Hopefully I’ll get to do a cover for a sequel one day!
The picture was painted digitally at high resolution using TwistedBrush Pro Studio, mostly with a small handful of basic brushes.
It’s the same as the old one, but different! It was also a very slow process, with a little bit here and a little bit there… much like a sloth, in other words! Some minor things had bothered me slightly about the original Sloth Darts, so I decided to increase the size and fine-tune it a bit. I ended up painting over the whole picture!
Process: Though I’d used TwistedBrush for some of the original one, the remake was done entirely with Photoshop. I can’t remember why I did that. The brushes I used were mostly the really basic round ones, and I tidied up some of the blending with the smudge tool.
These are my last two pieces of art for the Intense Titanium newsletter for the time being. Both pictures were done in Twistedbrush Open Studio at twice the resolution you see here. There’s a good chance I’ll be able to work with these folks in the future, but under their new name: Vurge Jewellery.
Edit (August 15, 2011) – I’ve had this design removed from Threadless so I can have more freedom to use it outside of the Threadless world.
My second and last entry into the Threadless 10th anniversary tee shirt challenge. I’ve wanted to do something like this for a while. A year or two ago I saw a photo in a book called “Miracles for Life!” (by Jonathan Krause). The photo was of a father and daughter in Tanzania. The daughter had hydrocephalus, but in the photo it was the father who seemed to carry the pain; the daughter lay completely happy and trusting in his lap.
I soon remembered the photo when the bird idea came to mind, and tried to let it influence the heart of the picture. The design doesn’t have the added context of serious illness, but the birds allow an extra bit of symbolism that’s thousands of years old and which possibly comes from the humble chicken! It’s used in the Bible like this: “He shall cover thee with his feathers, and under his wings shalt thou trust…” – Psalm 91:4.
The picture started with pencil sketches but ended up all digital, painted in Photoshop with the basic hard/soft round brushes using a Wacom Bamboo Fun. There are some subtle colours in it which were kept on separate layers in case it gets screenprinted.
This is either a deeply meaningful work describing through visual metaphor the complex nature of the human condition, or it’s a piece of silliness with no meaning to it whatsoever. You decide! This design was done in Photoshop, using a Wacom Bamboo Fun, and took too long. It was pretty fun, though!
More art for the Intense Titanium website. The first and third pictures were done in Twistedbrush, while the second was drawn in pencil then coloured in Photoshop. I’m fortunate in having a bit of freedom in how I approach the pictures, although I still need to do them fairly quickly (about an hour from concept to upload, generally). So the first puts the priority on mood, the second on a joke, and the third on design.
My entry for Parka’s second contest: “Unusual Cowboys”. The standard of entries is already high, but the subjects (so far) are fun enough that it’s kind of like art playtime and winning is secondary! Follow the link and check out some of the other entries. There’s some good stuff there.
The process: I started with a pencil sketch of a lemon being chased on a desert plain with Monument Valley-style mountains in the background. After looking at some reference photos, I liked the mood of morning mountain musters so I switched to that, and red seemed to stand out better than yellow so the lemon became a tomato-like thing. For the final painting, I used a Wacom Bamboo Fun and hopped back and forth between Adobe Photoshop CS3 and Twistedbrush Open Studio.
‘Parka’, a noted art book reviewer at Amazon, decided to run a small art competition with the theme “Animals in Competitive Sports” on his blog. I like his site so I decided to enter with an action-packed sloth picture. Maybe I should’ve gone for something more dynamic but this one was fun anyway! I used Photoshop for the intial colour work, Twistedbrush Open Studio for the painterly stuff, then back to Photoshop for a bit of detailing. I used a Wacom Bamboo Fun tablet. I’m not sure how long it took; maybe 4-5 hours. Unusually for me, I didn’t use a pencil sketch.
Parkablogs.com – Animals in Competitive Sports
Edit – Take a look at the new version of Sloth Darts!
Time passes so quickly! Three more months, marked by one Intense Titanium picture per month. Each time I’m given a general theme, and occasionally a specific ring, earring or pendant model is mentioned which I include in the art. The software used: Twistedbrush Open Studio. Timeframe: roughly one hour each from concept to upload. The thumbnails show the pictures at the size they are actually used at.
“Do Not Enter” is a Threadless collaboration with Evan Ferstenfeld (known as Frickinawesome). He did the brainy stuff while I did the arty stuff! He wanted to play with a concept that uses both sides of a shirt and I wanted to draw a silly number of classic villains, so it all worked out pretty nicely! He’s an old hand at tees while I’m still pretty new, so there was a fair bit of communicating (online. We live in different countries) as we tried to get the most out of the idea.
The art was sketched up with pencil then scanned into Photoshop, where it was finished off with a total of eight colours. Shading and extra colours were created by partially erasing colour, so if it ends up getting printed it will still only need eight inks to produce the full range of colours in the design.
You can find Evan online at Threadless and his shop.
Artist Santiago (santo76 at Threadless) kindly did the fancy Threadless presentation.
Three months’ worth of Intense Titanium art. As usual I tried to do each in about an hour, though I didn’t always manage it! The first one was early marketing leading up to Christmas and I tried to give a sense of celebration that wasn’t too specific to a particular culture or climate (although it’s obviously not too cold!). The second was the primary Christmas one and was to include a gentle reminder of what Christmas is supposed to be about; the ultimate gift. The third was to represent the idea of exploring new ‘looks’ for a new year.
The three pictures were painted in Twistedbrush Open Studio. I didn’t use pencil sketches this time, choosing to go 100% digital. The pictures are shown at the size they’re actually used, although I paint them a bit bigger.
Not having a computer of my own that wasn’t dead, and the other computer I could have used being occupied by someone else, I decided to use my trusty coloured pencils. The stripes were added at the last minute in simple photo-editing software.
I try to complete these Intense Titanium pictures in an hour. Usually it takes longer, sometimes by quite a while, but this time it was right on the button. A figurative button, of course, although it could be argued that several buttons were used (but not harmed) in the creation of this picture.